Drain

It’s October and I have not
used a word in two weeks.
I don’t count the tiny clouds of Bashō.
So, I’m beginning to pick up
a few lines of silence,
sitting on the old sofa,
listening to the sound of orange
in the rain, the sidewalk
composing pretty, rotten leaves
on a bright yellow page, flooding
with chamber music from
the sewer drains.

Mid-October

Mid-October, now I wear my sweater,
blue as the morning, that dreamt-of one
before she knew me. She does not explain this,
only jokes about the “gossiping trees.”
She knows there is no word for beauty
or, yesterday, the armful of yellow leaves
that burst all at once on the road
as she laughed and laughed.

This is How it Looks When it Looks Like This

From the window, the dogs are barking,
at nothing, really, not a woman crossing the road,
or an animal, a fox, say, that comes in from the fields
by the highway, that sometimes sleeps in the shed
(the mutts always smell it),
with the machinery.

I look a little too long, there’s less and less.
Except for the overgrowth sharpening into
spools of wire and foothold traps,
the cornstalks gutted on the plains,
the cellphone tower possessed by voices,
and the street lamps where each night
crowns of light are crucified, I regard only
their instructions for departures.

So, if I could bark with them, that is what
I would start to see, what I don’t,
runways where things go where they go.
And, I would hope, too,
I’d find a way to chase away the fox
that sneaks back nearly every night,
that’s there, camouflaged by
the invisibility of things that will not expect
to be found.

Summer Ends as a Woman Takes her Coffee Break

Like Autumn,
I will need to change
my life again. For this
woman, how she leans
on the black chair,
as if she had always been
a girl. The dry creek of
her back,
the naked feet, both have
waded here
together from a shallow river of sun.
And spearing through
her hair, a birthmark,
like a reflection
of an arrowhead,
the first
leaf bruised with cold,
but pale, as if
she had been painting,
in case winter
was coming again.

november 3

november 3

No stars, geese low, traveling south.

You feel that your body in darkness is
another life.
It rubs lightly past the faint window
of your room, an image, still,
skimming water between morning
and the southerly transmigration of dreams.
Closing the glass, it whistles a thought,
sleepily, but you,
your lips rest, and hum another thing.
You think of birds.

Leaves

One feels nothing
when the first days of November
arrive to fill in the wind-scoured constellations of geese
or to carry away
the sour mounds of apricot,
October peeled away.
One wonders,
where do the deer sleep here,
in November,
wake, cut away
under the grey trance of sky
when the blind car unzips its haste down
the threadbare road revealing
crops of still life too ingrown for
decay and that crisscross beneath
the unspoken snow,
yet to make landfall.

Northerly

Northerly,

circling

the windshield

its

hand prints of leaves,

giving in to

their brief flight,

and their glassy

question marks

that say,

why

does it rain

in the desert?

So

much

of

you,

stripped

from your bones,

old rivers that scented trees,

their nakedness pointing you

to the sky,

cathedrals that

do not ring.

About that Can Opener you Lost

Unless that’s your voice,
calling down from upstairs,
asking again whether
I’ve seen the can opener,
I’m outside.

I’ve looked everywhere for you.
See? A dog digs digging!
Cupboard and drawer, every one agape,
like desecrated catacombs.
45 US on Amazon, you say.

I’m not sure how long I’ve been here
figuring out how long I’ve been here on my own,
thinking about,
you know, how I thought we just did
the wallpaper in that room
I could always find you in,

or how things add up
when you take yourself away
to, at least, the third floor,
without bothering to leave me
the forwarding address
that brings you back,

or the kitchen window custom fitted
in a sequin pattern dress of rain,
that seems to come down out
of nowhere,

like sadness
each drop suggests,
while the tin trash cans out there
just stammer on about its beauty.

Birds From the Garden

I believe now,

their faith,

growing absent in the garden,

skin-and-bones behind

cold stones,

and in creases of soil

they shed nettles,

almost

by hand,

in them admonishing their

preparations for regret,

seeing that

they take

from the windows

their lessening reflections,

then bear them,

because winter is the garden

of the desert,

because winter breathes the dead

into light.

Coming in from the Rain

Rumination is made with a bell,
landing in me. Drizzle scarves
the shoulders. Dampness is not the opposite
of dust. Movement sticks to its illusion,
she said one night into the sound
of my name in her body. There are only steps, she said,
against the banks of things.
I make it back inside.
Shoes squelch the marble floor,
then plunge the hall. I move into the pulse of it,
up the dead river’s flow.
I can feel your heart in me, she said.