Been some time, but I just saw you
this morning on Spadina Ave.
Not sure what I was doing there,
let’s say it wasn’t a coincidence,
since you were there, too.
Btw, talking about bullshit,
a friend and me were guilty of it,
remarking how a touch
can guide a man back
to the surface of his skin,
as softly as that city of yours
takes flight from
the grey shadows of its towers
over Lake Ontario.
I wanted to tell you this (‘cause,
mostly, I know how you like a man
who makes you laugh), but I woke up,
and its 2:59 a.m. and, damn’t,
you’re too far to feel my way back
through that darkness again.
Author: Paul Hoy
I enjoy poetry, art, film, and wilderness tripping.
I enjoy wilderness tripping in Canada's mid to far north, with my boys or solo. Up there, you are surrounded by a great solitude, a singular, omnipresent, and indifferent beauty, not a silence but only what I can describe as a kind of hum of mystery (and I'm not trying to sound poetic). The pursuit is also physically demanding - and dangerous: I've lost up to twenty-five pounds on some; I've capsized in a freezing Yukon river; I've survived hypothermia; I've received third degree burns; and I've encountered bears, one which I can only describe as a transcendent experience, an epiphany. So, wilderness canoe tripping, for me, merges the physical and the spiritual, the material and the unseen. It becomes a relationship between the inner and the outer landscapes. For me, it's a redemptive journey into what it means to be human. And because I'm so intense about these things (as you can see), I love to canoe with my son, Breanndan, as he lightens things up (not excluding the load) with his out-there humour and his much-needed navigational skills.
This is How it Looks When it Looks Like This
From the window, the dogs are barking,
at nothing, really, not a woman crossing the road,
or an animal, a fox, say, that comes in from the fields
by the highway, that sometimes sleeps in the shed
(the mutts always smell it),
with the machinery.
I look a little too long, there’s less and less.
Except for the overgrowth sharpening into
spools of wire and foothold traps,
the cornstalks gutted on the plains,
the cellphone tower possessed by voices,
and the street lamps where each night
crowns of light are crucified, I regard only
their instructions for departures.
So, if I could bark with them, that is what
I would start to see, what I don’t,
runways where things go where they go.
And, I would hope, too,
I’d find a way to chase away the fox
that sneaks back nearly every night,
that’s there, camouflaged by
the invisibility of things that will not expect
to be found.
Summer Ends as a Woman Takes her Coffee Break
Like Autumn,
I will need to change
my life again. For this
woman, how she leans
on the black chair,
as if she had always been
a girl. The dry creek of
her back,
the naked feet, both have
waded here
together from a shallow river of sun.
And spearing through
her hair, a birthmark,
like a reflection
of an arrowhead,
the first
leaf bruised with cold,
but pale, as if
she had been painting,
in case winter
was coming again.
Where the River Takes You
I had hoped the scratches
on my back you left
would remain, like
a grassy floor
a deer leaves,
after a night. But
you showed me
a moth’s wings, instead,
the deer knowing, then,
to stay quiet, within,
to lay in the breeze.
See the wings greying
to mirror the burn
around us, you said. Yes,
though you do not
seem, yet, to sense
the creases of
the old river skin’s
hands, fingerless upon
the brown bear
swimming
towards this mothy shore of trees,
its claws that cannot root
into marks,
or tracks stretching
to the room a deer
wakes into.
Upper Hatchet Lake
Parts of my body suffer
in place of
my heart.
This may be because
the heart is not
a muscle,
but a bone that
is constantly broken
and reset.
But, what if we knew,
really, what
the heart was,
its endless echo,
its foreign language of
splitting wood
for a fire on a table
of rock cut in two
by the ice age?
If we knew how
many tries
it had left, the heart,
who would we be
then? Who would we
be if we learned
finally that
the sun, the centre of
the world, was also
96 million miles away from
this stone-hard bone?
Today
A drive to another city.
Getting lost in a forest.
Your stillness
in the grass.
And, maybe
something
else? Like
the sumac
in your
hair.
My Country
My left shoulder shares its pain
with my elbow. Hand is clutched by
the seismic rumours. It draws the hill in
the maple forest we portaged
that continues, like a camel’s back,
to carry the thirst down
into these days. Like everything at 53,
even the thirst is heavier,
the creek in the valley, as I climb,
years on top of years,
stonier, deeper, nearly bright.
Firework
Say, I love you, in darkness,
and it will mean something different.
Wonder: is awe the spark of friction,
emptiness on flesh?
Ask, how true this is: the heart’s the sting
evaporating in
the atmosphere of the soul.
Then remember, fireflies float
like ash.
left
And later when I photographed you at the water,
when on the rocks the wind came for your blouse,
I pictured the idea of a soul hewed
in the pliocene bodies of cormorants alight
on the water image of those distant rocks —
too many shadows to know for certain
whether they were returning, or instead
vanishing into the skin of our memory, like a
pictograph sinking into the face of a stone, or
the fading bruises on your breasts my mouth left.
– ph
Lady Evelyn River
I am too close to the fire to write about it,
my fingers are charred with night. Flames light
up the paper, like stars collapsing in my hands.
It’s hopeless, my words are the claws of bears
scraped on trees, or the revolutions of branches
erasing satellites, clutching near galaxies.
Maybe in the morning you will find a way to help me
understand. I promise I will write it all down. In
the morning when you swim up through the glare
with the minnows who become our breathless
constellations we see in light.
